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Antone's Christmas Bash w/ Barbara Lynn, Benny Turner & Very Special Guests

  • Antone's
  • 305 East 5th Street
  • Austin, TX 78701
  • December 17, 2016
  • Time: 9:00 PM

Barbara Lynn
Texan Barbara Lynn first came to New Orleans in 1962, when producer Huey P. Meaux brought her to Cosimo Matassa's studio to cut the R&B smash "You'll Lose A Good Thing." Lynn's soulful vocals--and bluesy guitar licks --had a swampier feel than most R&B at the time, and fueled by Joe Barry's bayou rulin' Vikings (one of the most underrated bands of the time) in tandem with Mac Rebennack's groove-laden organ, she went straight to the top of the charts. Today, Lynn may be best known as the writer of "Oh Baby (We Got a Good Thing Goin')", which the Rolling Stones covered back in '65--but her later Atlantic material should by no means be overlooked.
Standing in the same sweet shadow as Doreen Schaeffer, Inez Foxx, Rosie & the Originals, Doris Troy, Lavern Baker, Ruth Brown and Margaret Lewis, Barbara perfectly walks the line between teenage innocence and worldly, older-than-her-years adult hurt. Wounded perhaps, wiser for it, but nowhere near ready to give it all up. Now that' what we mean when we say soul music!
"The singing never left me. That's all I ever wanted to be. I just love to entertain. I don't care if its for an audience of one." -- Barbara Lynn

Benny Turner (Freddie King Band)
Born in Gilmer, Texas, Benny and his older brother, blues legend Freddie King, learned to play guitar from their mother, Ella Mae (King) Turner and her brothers Leon and Leonard King. While Freddie was captivated by the guitar and wanted to be a performer, Benny just enjoyed the music and the opportunities to share it with the older brother he admired and adored. The boys used to race home from school to catch the last few minutes of a radio show called “In the Groove,� where they heard the music of artists such as Louis Jordan, Charles Brown and later, T-Bone Walker.
After the family moved to Chicago in the early 50’s, what began as parallel exposure and experiences for the brothers ultimately diverged as Freddie went in one direction and Benny pursued other opportunities that came his way. While best known today as a bass player, Benny played guitar during many of his gigs in the early years, both locally in Chicago and on the road. A last-minute request to sit in with Freddie’s band to cover for Robert Elem at the Squeeze Club gave Benny his first introduction to playing bass, with some “on-the-job training� at its finest!
During the late 50’s Benny played guitar with gospel group The Kindly Shepherds, and is on a handful of their recordings for the Nashboro label (guitar and background vocals) from that time. He was also playing bass with Freddie King at legendary Chicago clubs such as the Squeeze Club and Walton’s Corner. While at Walton’s Corner, Benny met R&B singer Dee Clark, and was invited to join him on the road. Within a few days, his first exposure to touring and life on the road began, at none other than The Apollo Theater in New York, and continued at other legendary theaters including The Uptown Theater in Philadelphia, The Howard Theater in Washington DC and The Regal Theater in Chicago. Benny played in the band with Phil Upchurch, and cherishes their friendship to this day. It was an exciting time, during which Dee had his Billboard hit “Raindrops� (1961).
While on the road, Benny met Leroy Crume and Richard Gibbs, of the Soul Stirrers, and was invited to join their tour. At that time, electric bass was unheard of in gospel music and it was controversial within the band, but the group’s manager, Jesse Farley, recognized his potential contribution and hired Benny. That pioneering move laid the groundwork and inspiration for the gospel music of today, in which bass guitar plays an integral role.
By the mid-to-late 60’s Benny returned to Chicago, where he continued to play locally in various bands and also made a handful of his own recordings for the Leaner Brothers’ One-Derful and M-Pac! Labels. Not long after that, Benny re-joined his brother on the road, when the band was living every musician’s dream, playing at major festivals (domestic and international) and on the same bill as artists including Dionne Warwick, BB King, Solomon Burke, Eric Clapton and even opening for Grand Funk Railroad at Madison Square Garden in New York. While at the Montreux Jazz Festival in 1973, members of Freddie’s band were asked to sit in with Memphis Slim, and Benny plays bass on the recording of that act, “Memphis Slim – Very Much Alive and in Montreux.� Mickey Baker was part of that performance.
In December 1976, the dream became a nightmare. Benny lost his band mate, best friend and big brother all at once, after Freddie’s untimely passing at age 42. Completely devastated and physically debilitated by the unspeakable loss, Benny spent the next two years as a recluse, trying to make it from hour to hour, day after day. Finally, when Chicago bluesman Mighty Joe Young approached him, Benny gathered the courage to face the stage once again. With barely enough strength or stamina to make it through that first gig, Benny pushed forward, and it was the catalyst to getting him back on his feet and into the mainstream of the blues once again. One of the highlights of their time together was appearing in the 1981 film “Thief� while playing live at The Wise Fools Pub. After eight fantastic years on the road together, Mighty Joe had to stop touring due to health issues, and Benny planned his next move.
Heading to New Orleans was the next significant turning point for Benny. There, he met Marva Wright, “Blues Queen of New Orleans.� He joined the band and served as Marva’s bandleader and bass player for more than twenty years. Internationally recognized beyond the borders of New Orleans, Marva Wright and the BMW’s played all over the world in addition to being mainstays of the French Quarter music scene. In 2010, Marva passed away and Benny lost a cherished friend and bandmate, once again.
A recently-released (in 2014) homage to his musical history, Benny is very proud of his newest CD, Journey. The deep roots and wide diversity of his musical influences blend into a signature style he calls “Real Blues� and performs with his band of the same name. In many ways, Benny Turner’s journey is just beginning, and promises to be one fine ride!

Antone's Christmas Bash w/ Barbara Lynn, Benny Turner & Very Special Guests