For Jon Muq, a singer-songwriter born in Uganda and now living in Austin, Texas, music is part of a larger conversation he’s having with the world and everybody in it. Drawing from African as well as western musical trends and traditions, he devises songs as small gifts, designed to settle into everyday life and provoke reflection and resilience. “These days the world is sad,” he explains, “so I wanted to make happy songs. I wanted to write songs that connected with the listener in a very personal way. When someone listens to my music, it’s not just about me and what I’m singing. It’s about how they understand the songs individually. I think these songs can speak many languages, depending on what you want from them.
Muq’s experiences as a child in Uganda and as a man in America give him a unique perspective on the world he’s addressing. “I grew up in a very different life, where so many people pass through hard times just because they don’t have much. Our biggest issue was food scarcity. Then I came to a different world, which gave me a picture of how to write a song that can find balance with everyone wherever they are, whether they have a lot or not much.” As he completes his debut with producer Dan Auerbach and tours with Billy Joel, Norah Jones, Mavis Staples, Amythyst Kiah, Corinne Bailey Rae, and others, Muq is expanding the scope of his music to speak to more and more people.
He has nursed his obsession with music for as long as he can remember. “When I was 7, I realized there was something about sound that I appreciated. We had a brass band at school that would play the school anthem, and I would sit between the horn players and it was so loud. I loved it. People would ask, Who is this strange boy up there with the band?” Later, he joined the group playing bugle, but was dismayed when he graduated and learned that his new school did not have a band. But it did have voices filling the hallways, which excited him. At night he would lay in his dormitory bed listening to those harmonies, eventually summoning the nerve to sneak out and track them down. He searched the three-story building until he found the choir room, and the group soon adopted the curious child as a mascot, giving him homemade shakers to play. “I joined the choir but didn’t sing. I was just following sound.”
During holidays, he would stay with a cousin in Kampala, cleaning house and working odd jobs to earn extra money. During one of those visits, the teenage Muq saw a CD that caught his attention: We Are the World. “I played it and was astounded. Where are these people singing very differently yet all singing the same song? I’m taking this CD. I didn’t even ask him. I just took it. I listened to it for a long time and I mastered all the vocals and tones of the people who were singing. That was my first exposure to modern western music, and it was fascinating to me.” It was a good lesson for him, as mimicking and mastering the vocals of such a disparate array of artists—from Michael Jackson to Cyndi Lauper to Kenny Rogers—expanded the expressive range of his voice.
It also taught Muq to write songs in English. “Since Uganda has 45 tribes, it has more than 45 languages. People sing in their own languages. My language is Luganda, but I have always sung in English.” In fact, he penned his first song as a love letter in English: “A friend of mine was going through a relationship problem. They were breaking up. He spoke English but could not write it, so I told him, I can write a letter for you to change her mind. And it worked! The girl was so happy, and she kept the letter.” Muq decided to make that his first song, so he asked his friend to steal the letter back so he could copy it. It eventually became “Always as One,” and “it’s still the song I start my shows with.” In addition to pursuing his creative endeavors, Muq has continued to devote time to charitable organizations in both Uganda and the U.S., working with non-profits and community programs that provide education, food, clothing, and support to those in need.
