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    Bernie Diaz manipulates words and images to create assemblages that redirect and obscure origins. Incorporating historical processes of revision, omission, and embellishment, he creates glyph-like arrangements that seek completeness from fragmentation. His process involves scavenging, cutting, layering, and rearranging materials to achieve a sense of completeness from seemingly unrelated parts informed by his ongoing identity formation as a border-dwelling, queer, Tejano.

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